Poetry / Lyrik / Poésie
Scholarship, & Criticism
“The Petrarchan Sestina and the Infratextuality of Desire.” (in preparation)
“Canso to Sonnet: Ring Composition and (Inverse) Retrogradatio Cruciata in Arnaut Daniel’s “Lo Ferm Voler” (BdT 29,14), and the Sonnets of Giacomo da Lentini and William Shakespeare.” Tenso, vol. 41, 2026, pp. 77-105. Project MUSE https://muse.jhu.edu/article/989018
“Bad Anachronism and the Early Evolution of the Sestina: Relating the End-Words in Arnaut Daniel’s “Lo Ferm Voler” and Dante Alighieri’s “Al Poco Giorno” as Ring Compositions.” Tenso, vol. 37, 2022, pp. 25-46. Project MUSE https://muse.jhu.edu/article/852020
“The Early Sestina Evidence in Support of Mary Douglas’ Theory of Text as Ring Composition: Findings.” Harvard University Herbaria & Libraries Special Seminar. 2019.
“Antithesis, Chiasmus, and Symmetry in Shakespeare’s Sonnet 105.” 2015.
„Antithese, Chiasmus und Symmetrie in Shakespeares Sonett 105.“ 2015.
„Verbinden der Formalen Merkmale des Sonetts: eine Theorie der ,,centred form.“ 2015.
“Relating the Formal Characteristics of the Sonnet: A Theory of Centred Form.” 2011, revised 2015.
Translations
Bachmann, Ingeborg. ,,Böhmen liegt am Meer.‘‘ Reclams Grosses Buch der Deutschen Gedichte, edited by Heinrich Detering, 2nd ed., Philipp Reclam jun. GmbH & Co., Stuttgart, 2007, pp. 679-680. Translation, 2020.
Kleist, Heinrich von. ,,Über das Marionettentheater.‘‘ Berliner Abendblatt 12 – 15 Dezember 1810. Print. Translation, 2012. Revised, 2015.
